Archive of ‘Fashion Week’ category

New York Fashion Week: Thuy, Fall 2009

 New York Fashion Week: Thuy, Fall 2009For the Thuy Fall 2009 show, Anthony Barrow for Avon created disheveled rocker updos.

“What we’re going for is to create a dry, airy texture and Thuy wanted the hair to go up…to be a little bit rockabilly. We combed through some Avon Advance Techniques Volumizing Mousse, on dry hair, and sprayed on Avon Advance Techniques Hair Spray. All of that is dried into the hair, using a hair dryer and paddle brush – which gives it a little bit of finish, but keeps it separated because we don’t want the texture to be too perfect.”

“The front half of the head is backcombed and the first few side sections are backcombed. Then the back is twisted asymmetrically across the back of the head. So it’s a bit like a French pleat, but it runs behind the ear. The front is dressed back up and twisted and the ends are left out, so there’s texture in the front. The reason for twisting the hair right to left is because the designer has created several looks with hats. So the hats go from left to right, so we’re balancing that out. What’s important is it’s not too pretty. It’s got a bit of gritiness to it. This is perfect hair, actually, because it’s a little bit damaged.”

thuy+hair New York Fashion Week: Thuy, Fall 2009

When I asked about the inspiration, Anthony explained, “Thuy wanted something that was strong and ‘not too girly,’ in her words…and edgier and raw. But she wanted it to be clean and she wanted it to be flat. The emphasis needed to be on the front, with the texture. We went through many variations before we decided on this one.”

 New York Fashion Week: Thuy, Fall 2009Romero Jennings (for MAC) created the futuristic makeup look. “Thuy was talking about optimism and the future and clean lines. So I felt that the makeup should be organic, like a lot of her shapes are. But because she’s doing some color, I decided to go black and white. I was able to use texture – so there’s shine and matte. There’s definitely a liner, and it’s done with Blacktrack Fluidline, mixed with some new products. We have a new Black Collection for fall that is amazing.”

“On the lid, I mixed Frozen White Pigment with Gold Pigment and a little bit of Reflects Gold. On the cheek, we’re applying Mineralized Blush. But even though there’s a hint of color, you’re really not going to see it. On the runway, it’s going to look like black and white and the skin is just going to glow.”

 New York Fashion Week: Thuy, Fall 2009

 New York Fashion Week: Thuy, Fall 2009


 New York Fashion Week: Thuy, Fall 2009“The lipstick is a mixture of Flesh Pot (from the limited-edition Heatherette Collection) and Myth. The look is kind of nude and fresh. On a darker girl, I’m going to use Chelsea (discontinued lipstick), which is nude and brownie. It’s pretty. It’s makeup that someone can actually do at home by themselves, with or without all of the extra things that I use. You can actually do this really great strong liner, highlight around it, do a neutral mouth and little bit of blush and you’ll get the same effect.”

When I asked Romero about emerging trends, Romero said, “For fall, I’m seeing that it’s dark. There’s a definite liner, but it’s not pointy. It’s not glam-y or vampy. It’s almost more futuristic and modern. That’s what I love about it. And the skin looks healthy.”

OMG: Kim Kardashian’s Makeup Artist Answers MY Beauty Question!!!

kim kardashian awesome cat eye OMG: Kim Kardashians Makeup Artist Answers MY Beauty Question!!!Remember this fierce cat eye that Kim Kardashian sported at New York Fashion Week?

Well, Kim’s makeup artist was fielding beauty questions on her blog – so I posted a comment, asking how he created it. And guess what? He answered my question and Kim posted on her blog today!!!

spoiledpretty: I absolutely NEED to know how you created the black & white edgy cat eye Kim wore to the Y-3 Fashion Week show.

Mario Dedivanovic: LOL Daneen, I loved doing that look on Kim too. It was very different and more of a fashion forward look. I used the MAC liquid liner and rimmed the entire eye around from corner to corner. I used a white matte shadow on the lid and under the brow and Cork shadow by MAC in the crease. I didn’t use any mascara on the bottom because I wanted the sharp line to show.

Can you believe? I think I’m in shock…

Head to Kim’s blog for more of Mario’s beauty tips!

For Kim Kardashian beauty and makeup tips, click here.

Photo Credit: Wireimage

New York Fashion Week: Reem Acra, Fall 2009

reem+acra3 New York Fashion Week: Reem Acra, Fall 2009

Backstage at the Fall 2009 Reem Acra collection (held at Reem’s showroom),teams from Bumble and bumble and MAC were busy at work styling hair and crafting makeup to compliment the collection’s Grecian theme.

“The inspiration is goddess-like,“ said Polly Osmond, Key Makeup Artist of MAC.

 New York Fashion Week: Reem Acra, Fall 2009“So the face is highlighted and shaded. We’re doing a greasy, taupe-y eye with highlights on the cheeks and a pale lip. The only specification Reem had for the makeup was to make the girls look beautiful. The entire look took about a half hour to conceive because it’s very simple and easy.”

To replicate the look, prep the face with MAC Face and Body Foundation. Then apply MAC Butter Nutty Shadestick to temples, bridge of the nose, and chin. Brush MAC Powder Blush in Taupe on eyelids and under eyes, MAC Nylon Eye Shadow in the inner corners of the eyes, and MAC Root Cream Colour Base under eyes. Layer MAC Gloss Texture on top of the Root Cream Colour Base – then curl lashes and coat with MAC Mascara X in Black.

Apply concealer to the lips then follow with the Root Cream Colour Base. Top with MAC Shy Girl Lipstick and MAC Boy Bait Lipglass. Finally, swipe some MAC Gloss Texture on the cheekbones.

 New York Fashion Week: Reem Acra, Fall 2009When I approached Laurent Philippon, Lead Hairstylist for Bumble and bumble, he was scrambling because the electricity had gone out – which left him and his team without power for their styling tools. But he was so calm and gracious, and gave me his full attention for a quick interview.

 New York Fashion Week: Reem Acra, Fall 2009“This is a red carpet kind of hairstyle. Reem wanted something quite sophisticated. It’s a side chignon with a really, really low side part. It frames the face and brings a geometrical shape to the hairstyle, but with softness as well. It’s a very clean and finished hairstyle but it’s not glued. I don’t want it to look glued. I still want it to feel like it’s hair. We’re drawing the part with a comb, then using Styling Lotion and drying hair really flat. And we’re putting it into a side ponytail – no backcombing involved. The twist is really about securing it with large pins. So it’s really tight, but it doesn’t look tight.”

 New York Fashion Week: Reem Acra, Fall 2009Angi Wingle, and her team of Creative Nail Design technicians, put the finishing touches on models’ tips and toes. The nails were filed to a naturally rounded shape (to echo the bustlines of Reem’s draped gowns) and polished with a coat of Cocoa.

New York Fashion Week: Lela Rose, Fall 2009

lela+rose+fall+2009 New York Fashion Week: Lela Rose, Fall 2009

 New York Fashion Week: Lela Rose, Fall 2009For her Fall 2009 collection, Lela Rose drew inspiration from the rainforest – and the creepy crawlies that call it home. To help transform the models into chic, tropics-trekking entomologists, Lela enlisted the help of two of the biggest names in the beauty business.

Celebrity makeup artist Tina Turnbow (for Beauty.com) used products from Stila Cosmetics to reinforce the rainforest theme. Tina prepped the skin with Sheer Color Tinted Moisturizer SPF 15, Perfecting Concealer and Sheer Pressed Powder.

“The skin is fresh and dewy, not dead and matte,” Tina explained. “I’m so excited to have the skin be healthy and shiny and glowing.”

When I asked if dewy skin was an emerging trend for Fall, Tina confessed that she’s ready to see the skin again. “I love the idea of sheen. I love seeing the skin, and powder usually takes that away. This morning, we’re only applying powder to the t-zone.”

 New York Fashion Week: Lela Rose, Fall 2009

 New York Fashion Week: Lela Rose, Fall 2009

 New York Fashion Week: Lela Rose, Fall 2009

 New York Fashion Week: Lela Rose, Fall 2009Models’ lids were painted with gold and green shadows from the Precious Pearl Palette and lined in Kajal Eye Liner (in Emerald and Pearl) along with Stila Smudge Pot in Jade – to mimic the the “iridescent, pearlescent shell of a beetle.”

Cheeks were earthily flushed, using Convertible Color in Camellia and pouts glossed with Lip Glaze in Praline. Eyeshadow in Constellation and Venus (new shades) were brushed over brows and high on the cheekbones to give the face definition and impart a jungle-like wetness to the look.

I wasn’t surprised to see mane magician Ted Gibson backstage, as he and Lela love to collaborate. For the past two seasons, I have chatted with Ted backstage at Lela Rose – and he always serves up something fierce.

Every fashion week, I am amazed by his conceptual (yet accessible) hairstyles…and this season’s coiffure made me heart Ted all the more.

 New York Fashion Week: Lela Rose, Fall 2009

 New York Fashion Week: Lela Rose, Fall 2009While Tina Turnbow was inspired by the beetle, Ted found his muse in Odonata – aka the dragonfly.

To create the insect-inspired do, Ted created a center part, then swept hair back into a “youthful ponytail.” The voluminous crown was created using Build It. Tame It Shine Lotion smoothed the hair and calmed flyaways. The ponytail was coiled and blasted with heat from a hair dryer (air concentrator nozzle on), to give the hair texture.

Finally, the twisted tail was set with Beautiful Hold Hairspray, which smells so wondorous that you want to spray it on – whether or not your hair needs help staying put.

Coming Soon: Orlando Pita Renew Dry Conditioner for T3!!!

barbie+hair Coming Soon: Orlando Pita Renew Dry Conditioner for T3!!!Backstage at the Fashion Week Barbie show, Orlando Pita styled exaggerated ponytails, bloated bouffants and larger-than-life buns using T3 Plump and T3 Control sprays. To add shine and glossiness, Pita spritzed the models’ manes with his latest creation, T3 Renew Dry Conditioner.

Dry conditioner?!? Yeah, that’s what I thought. As soon as I left the backstage area, I set out on a reconnaissance mission to learn more about this mystifying new mist. At the CEW Product Demonstration, I ran into my T3 contact, who supplied me with the top secret deets. Here’s what I learned:

T3 Renew Dry Conditioner is a waterless, lightweight dry conditioner (the first of its kind) with a non-greasy formulation that breathes life into parched, lackluster locks – instantly restoring moisture, shine and softness. The product features Quaternium, known in the skincare world for its long-lasting, penetrating conditioning power – alongside nourishing botanicals such as chamomile, ginger and rosemary extract. Powerful blend is rich in antioxidants, Vitamins E and B6 to nourish, soften, protect hair while enhancing highlights and restoring shine.

T3 OP Renew Coming Soon: Orlando Pita Renew Dry Conditioner for T3!!!Unlike traditional conditioning formulas, Renew doesn’t weigh hair down or leave hair oily like shine sprays. A natural wheat protein ensures the instant conditioner is lightweight, not heavy or greasy, and diffuses easily throughout the hair without a trace. Renew can be used as an instant pick-me-up for dry, damaged hair – or as a nourishing, overnight conditioning treatment.

It is the perfect complement to any dry shampoo, like T3 Refresh Volumizing Dry Shampoo. To apply, shake well and hold the can 6-8 inches from your head. Spray the aerosol all over dry hair and brush through.

T3 Orlando Pita Renew Dry Conditioner ($25) will launch in March and will be exclusively sold in Sephora stores and on sephora.com.

New Handbag Designer Alert: Della Designed!

 New Handbag Designer Alert: Della Designed!While in NYC for Fashion Week, I was carrying this super stylish (and handy) gray handbag…and getting asked, on every street corner, who designed my tote. As you can probably guess, that was the beginning of many a conversation…once I get talking about handbags, there’s no stopping my motor mouth.

Anyway, I can’t have half of New York knowing about this under-the-radar designer and not let you all in on the scoop. What kind of friend would I be?

After a life-long love affair with purses and years of being teased by friends for being such a ‘handbag buff‘, Della Murphy decided to design her own line of shoulder bags, clutches and totes. At Della Designed, you will find gorgeous, beautifully constructed and functional handbags that are a joy to wear and stop strangers on the street (take it from me). Made with quality leather, the bags maintain their integrity – even with everyday wear. And here’s the best part – every Della Designed handbag is under $200. Now, that’s what I’m talkin’ about!

Della’s handbags are named after family and friends who encouraged and inspired her. I’m not sure who Valerie is, but she must be one hell of a muse because her namesake is so chic.

della+designed+valerie+tote New Handbag Designer Alert: Della Designed!

The slate grey Valerie is crafted with soft leather and prominent silver zippers, in a bold shape. The adjustable shoulder strap provides options for drop length. The interior is lined in cotton and contains enough pockets to keep you thoroughly organized.

If you are looking for a sassy new handbag that no one else is carrying (yet), but you don’t want to break the bank – visit delladesigned.com.

New York Fashion Week: Bodkin, Fall 2009

bodkin New York Fashion Week: Bodkin, Fall 2009
On Monday, I traveled to The Horticultural Society in NYC to report from backstage at Bodkin, a still relatively green collection – designed in accordance with principles of sustainability in materials and production methods. For the Fall 2009 line, Bodkin found a natural partner in Aveda, a brand that strives to set an example for environmental leadership and responsibility – not just in the world of beauty, but around the world.

 New York Fashion Week: Bodkin, Fall 2009I had an opportunity to speak with John Reyman, lead hairstylist for Aveda, about the inspiration and seasonal trends.

“The idea was a little bed-heady…a little like a girl has been outside all day and her hair is a little wind-blown, but at the same time very healthy and very well taken care of. It looks shiny and it looks glossy, but it doesn’t look overworked or overdone. Like she cares but she doesn’t care too much – so kind of that balance. So the idea was we just put a very loose, loose wave in there with some Volumizing Tonic and then we finished it, actually, with the men’s grooming cream to give it a little bit of texture and some shine.”

For Fall 2009, John said, “A lot of people are putting ponytails in the hair. I think we’re really seeing cleaner hair. The last couple of seasons, we’ve seen really textured, really frizzy, really fuzzy hair…almost like the girl didn’t care at all. And I think as the economy sort of changes, people want to look and feel more put-together – and so the hairstyles are really reflecting that…a little cleaner, a little more refined.”

 New York Fashion Week: Bodkin, Fall 2009
Andrea Harrison, lead makeup artist for Aveda described the Bodkin Fall 2009 look as really simple and pretty. “She’s so naturally gorgeous. She really has been running around all day…with cold, flushed pretty cheeks. No powder on her skin. Just a very healthy, very natural kinda dewy skin. On the eyes, there’s a light, shimmer. You can really see the skin through it. It’s our Moonstone shimmer, and it’s nice and really smooth. Black mascara just on the top lashes. Just a polished brow which is just really lightly filled in…nothing that you would really look at and say, ‘Oh, that’s hard.’ And Berry Lip Tint on the lips, so it’s very fresh – again, like she’s just been running around. Just an easy look that anybody could duplicate quickly. It would be great for young girls, older, anybody.”

 New York Fashion Week: Bodkin, Fall 2009When asked about key trends for Fall 2009, Andrea said, “One thing that you’re seeing everywhere is that the models are all growing out their eyebrows. It seems like another popular trend is, instead of, a smoky eye and a dark lip – you just see one feature that they’ve picked to focus on. Whether it’s eyebrows or just cheeks or just mascara or just lips. So instead of having the full complicated look. So it would be great for everybody. Good for the average woman to pick their favorite feature.”

 New York Fashion Week: Bodkin, Fall 2009Before concluding the interview, I asked Andrea to name three Aveda products that every women should have in her beauty arsenal. “One thing is for certain when it comes to makeup…the key to good makeup is beautiful skin. So you always want to make sure that you’re using great skin products. I personally love our Tourmaline Charged Hydrating Creme. I use that on every model before a photo shoot or runway just because you can always add powder if you feel like it’s too much, but it really just makes the makeup go on beautifully. The other thing is mascara…to me, it can make a look that on it’s own. Sometimes you don’t need to anything else. And skin…I really see that being a trend. I love our Tinted Moisturizer; it’s got SPF 15 in it and it’s nice because you can still the skin underneath it. So anybody can wear it easily. Just make sure you match your skin tone. It’s nice and sheer, so everybody can find their skin tone easily.”

#NYFW

New York Fashion Week: Donna Karan, Fall 2009

donna+karan New York Fashion Week: Donna Karan, Fall 2009
Backstage at Donna Karan, I chatted up lead makeup artist, Charlotte Tilbury about the vision and aesthetic. “The look today at Donna Karan came to be because we were looking at these 1920’s and 30’s sepia-toned photographs, and I just loved that there was something modern about it. So we wanted to translate that to a modern Donna Karan girl,” Charlotte explained. “We put gloss on the eye, which has a little bit of sepia and black in it, with flecks of gold through it. And it’s wet, so it’s a modern texture. It goes all the way up to the eyebrow and there’s no form to it…it’s just a great big shadow with a wet, modern texture. We’re brushing up the eyebrows. We’re highlighting the top of the cheekbones and the nose with an iridescent cream (Cream Colour Base in Pearl), which brings a wonderful light to the face. And we’re putting a little bit of a beige-y kind of lipstick (Half And Half Lipstick) – very neutral, quite light on the lips. And a tiny bit of the Reflects highlighter on the bow of the lips.”

 New York Fashion Week: Donna Karan, Fall 2009

 New York Fashion Week: Donna Karan, Fall 2009

I ran into my old pal Victor C, Senior Artist for MAC – who provided additional insight into the inspiration and products. “There is a mushroomy shade on the eyes, Cream Colour Base in Dusk. And on top of it, Charlotte put a gloss. The gloss is actually intended for the lips and it’s going to be coming out in a collection focusing on the color black. So this gloss has an emerald green pearl in it and it enhances the mushroom color of the Cream Colour Base. Dusk is kinda silvery and gives the illusion that there’s a shadow on the eye. I think it’s what’s kind of interesting about shadows is sometimes shadows are meant to enhance bone structure or bring out the prettiness. But in this case, the shadows are giving the face a more grown-up look. Not just on this show – there are a lot of shows that are using grays and mushroom tones. Not the blink blink, wink wink kind of pretty. It’s a lot more like the 1930’s Hollywood pictures where the girls might have been 21 years old, but they look really mature – like they’ve had life experience.”

 New York Fashion Week: Donna Karan, Fall 2009
Cream Colour Base in Dusk

 New York Fashion Week: Donna Karan, Fall 2009

Victor let me play around with and swatch the Bling black gloss from the upcoming black collection.

Victor continued, “We’re also doing really beautiful skin; skin that just shines with the light, no matter what direction you turn. It’s like, again, 1930’s Hollywood headshots. On the lip, it’s lightly natural with a little bit of shimmer on the bow of the lip.”

When I asked Victor about trends for fall, he replied, “I see a lot of black being used. I’m calling it ‘perfect penmanship.’ I’m going to try to create that as a trend, myself, because a lot of the lines have been perfect and very graphic. Last season, the look was Kate Moss, rock and roll – like she slept in her makeup. Now it’s all about graphic precision, which I think is going to be an emerging trend.”

 New York Fashion Week: Donna Karan, Fall 2009

I didn’t get an opportunity to interview lead hairstylist Eugene Souleiman (working with Wella Professional). His styles were so intricate and laborious, he had absolutely no time for idle chit chat. The finished look was architectural and breathtaking. I’ve seen a lot of pretty hairdos at Fashion Week shows…but this was simply inspired. Each models’ hair was adorned with over 100 u-shaped hair pins! Can you even believe such things are possible?

 New York Fashion Week: Donna Karan, Fall 2009

 New York Fashion Week: Donna Karan, Fall 2009

Finally, I spoke to Creative Nail Design‘s Lulu Cooper about nails. As she applied CND Serenity to one model’s nails, she explained that it was chosen for its “clean, buff look.” The nail shape was a slight almond. “Not too pointed and definitely not square,” she said. “The square shape is for a younger girl. The almond-shaped nail is for a more mature, more sophisticated woman.”

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