Well, Kim’s makeup artist was fielding beauty questions on her blog – so I posted a comment, asking how he created it. And guess what? He answered my question and Kim posted on her blog today!!!
spoiledpretty: I absolutely NEED to know how you created the black & white edgy cat eye Kim wore to the Y-3 Fashion Week show.
Mario Dedivanovic: LOL Daneen, I loved doing that look on Kim too. It was very different and more of a fashion forward look. I used the MAC liquid liner and rimmed the entire eye around from corner to corner. I used a white matte shadow on the lid and under the brow and Cork shadow by MAC in the crease. I didn’t use any mascara on the bottom because I wanted the sharp line to show.
Can you believe? I think I’m in shock…
Head to Kim’s blog for more of Mario’s beauty tips!
For Kim Kardashian beauty and makeup tips, click here.
If you curled your hair with an iron, but it turned out a little Shirley Temple-esque, pin it in a bun and let it set for 15 minutes. The result? Soft waves. -Rodney Cutler, hairstylist and owner of Cutler Salon
Backstage at the Fall 2009 Reem Acra collection (held at Reem’s showroom),teams from Bumble and bumble and MAC were busy at work styling hair and crafting makeup to compliment the collection’s Grecian theme.
“The inspiration is goddess-like,“ said Polly Osmond, Key Makeup Artist of MAC.
“So the face is highlighted and shaded. We’re doing a greasy, taupe-y eye with highlights on the cheeks and a pale lip. The only specification Reem had for the makeup was to make the girls look beautiful. The entire look took about a half hour to conceive because it’s very simple and easy.”
When I approached Laurent Philippon, Lead Hairstylist for Bumble and bumble, he was scrambling because the electricity had gone out – which left him and his team without power for their styling tools. But he was so calm and gracious, and gave me his full attention for a quick interview.
“This is a red carpet kind of hairstyle. Reem wanted something quite sophisticated. It’s a side chignon with a really, really low side part. It frames the face and brings a geometrical shape to the hairstyle, but with softness as well. It’s a very clean and finished hairstyle but it’s not glued. I don’t want it to look glued. I still want it to feel like it’s hair. We’re drawing the part with a comb, then using Styling Lotion and drying hair really flat. And we’re putting it into a side ponytail – no backcombing involved. The twist is really about securing it with large pins. So it’s really tight, but it doesn’t look tight.”
Angi Wingle, and her team of Creative Nail Design technicians, put the finishing touches on models’ tips and toes. The nails were filed to a naturally rounded shape (to echo the bustlines of Reem’s draped gowns) and polished with a coat of Cocoa.
For her Fall 2009 collection, Lela Rose drew inspiration from the rainforest – and the creepy crawlies that call it home. To help transform the models into chic, tropics-trekking entomologists, Lela enlisted the help of two of the biggest names in the beauty business.
“The skin is fresh and dewy, not dead and matte,” Tina explained. “I’m so excited to have the skin be healthy and shiny and glowing.”
When I asked if dewy skin was an emerging trend for Fall, Tina confessed that she’s ready to see the skin again. “I love the idea of sheen. I love seeing the skin, and powder usually takes that away. This morning, we’re only applying powder to the t-zone.”
Cheeks were earthily flushed, using Convertible Color in Camellia and pouts glossed with Lip Glaze in Praline. Eyeshadow in Constellation and Venus (new shades) were brushed over brows and high on the cheekbones to give the face definition and impart a jungle-like wetness to the look.
I wasn’t surprised to see mane magician Ted Gibson backstage, as he and Lela love to collaborate. For the past two seasons, I have chatted with Ted backstage at Lela Rose – and he always serves up something fierce.
Every fashion week, I am amazed by his conceptual (yet accessible) hairstyles…and this season’s coiffure made me heart Ted all the more.
While Tina Turnbow was inspired by the beetle, Ted found his muse in Odonata – aka the dragonfly.
To create the insect-inspired do, Ted created a center part, then swept hair back into a “youthful ponytail.” The voluminous crown was created using Build It. Tame It Shine Lotion smoothed the hair and calmed flyaways. The ponytail was coiled and blasted with heat from a hair dryer (air concentrator nozzle on), to give the hair texture.
Finally, the twisted tail was set with Beautiful Hold Hairspray, which smells so wondorous that you want to spray it on – whether or not your hair needs help staying put.